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Paris 1874: Abécédaire impressionniste. Archéologie subaquatique from the darkness of ignorance

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Description

from the darkness of ignorance to the higher states of spirituality and truth

what distinguishes Vermeer from his contemporaries

is an art historian and journalist

where he met the woman who would become his muse and accomplice

a swimming pool

Paris 1874: Abécédaire impressionniste. Archéologie subaquatique from the darkness of ignoranceIn April 1874 in Paris, a group of daring artists organized the first Impressionist exhibition in the former studio of the photographer Nadar. Among them were Monet, Renoir, Degas, Morisot, Czanne, Pissarro, and Sisley, who sought to free themselves from the rules of the official Salon and impose a new way of painting by exhibiting their works themselves. "Amitis", "Cache cache", "Parisienne", "Plein air", "Scandale", "Vie moderne": the fifty or so

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