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Planches VI
Harvard Theologica Studies XXII
collective housing (such as those in Dieppe and Villejuif)
“Champs/Flammarion” collection
Roland Topor
Le portrait véritable. Proche et Moyen Orient Planches VIThroughout history, the tale has developed on the margins of all literature. Beyond the different qualities of style or spirit, they all reveal a fascinating unity: the magic of the word in which a secret truth always seems to seek refuge. Around the mystery of the image and its model, these six tales, fanciful or biting, are like paintings painted by Jean Frmon: everything is at once imaginary and true. We are left with a new quarrel of images which
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