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and Flemish paintings
a culture even more marked by black Africa
we would not be able to understand the audacity of the libertine Fragonard
in our judgment
et leurs délimitations
Guy Hersant, un photographe en campagne. Saint-Jean-Brévelay. Celte and Flemish paintingsBy opening a year long project in June 1983 in Saint Jean Brvelay and the surrounding communes of Morbihan, the photographer Guy Hersant was responding, as a neighbor from Lorient at the time, to a commission from the BPI of the Pompidou Center in Paris. At that time, the Breton countryside was rustling under the wind of a modernity that had been sweeping in since the sixties in land consolidation, mechanization, free stalls and milking parlors, corn
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