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due to its plasticity
especially as demand grew
Isabelle Enaud-Lechien immerses us in the life of this avant-garde and passionate personality
depict a disillusioned world
Temples des dieux
La pensée du dehors. Histoire de l’art due to its plasticityAttraction is for Blanchot what desire is, without doubt, for Sade, force for Nietzsche, the materiality of thought for Artaud, and transgression for Bataille: the pure experience of the outside and the most stripped down. It is still necessary to understand what is designated by this word: attraction, as Blanchot understands it, does not rely on any charm, does not break any solitude, does not found any positive communication. The only essential
